Encounters III

Description

Trumpet in C, Trumpet in Bb, Vibraphone, Song bells, Glockenspiel, Tam-Tam, Gong, Temple Block, Cowbell, Triangle, Suspended Cymbal, Crotales, Bongos, Snare Drum, Field Drum, Tenor Drum, Bass Drum — Encounters III is conceived of as a medieval battle; the trumpet represents the attacking force, the percussion the defending.xa0 There are three movements: Ixa0 Strategy, II Truce of God, III Tactics.xa0 Under one of the classical theories of warfare, strategy is considered the process of getting the enemy to come to battle, and tactics are the ways the battle is fought.xa0 The title Truce of God refers to a medieval convention of war wherein a truce, supervised by the Pope, was maintained from sundown Thursday to sunrise Monday.I - Strategy: after the approaching force (trumpet) has established contact with the defender (percussion), the players-combatants launch into a series of twelve attacks and counter-attacks.xa0 Medieval soldiers were often fixed in a position behind their shields with their spears jammed into the ground to impale horses — or men.xa0 The percussion, as the defending force, thusly is given twelve counterattacks which correspond to twelve attacks of the trumpet.xa0 The trumpet has a choice in the order of attacks, and the percussionist must recognize the attack and give the corresponding counterattack.xa0 They may also do these in order, one through twelve.II - Truce of God is based on the Landini cadence (7-6-8), creation of the 14th-century composer Francesco Landini (1325-1397).xa0 In reference to the peaceful and holy aspects of the truce, the orchestration centers on bell sounds of many varieties — song bells, tuned gongs, vibraphone, Pyrenees cowlbell and glockenspiel — while the trumpet suggests distant horns or bugles.III - Tactics is made of real skirmishes and battles calling for great virtuosity on the part of both soloists.xa0 The middle of the movement is occupied by two cadenzas, one for the trumpet and one for the percussion. xa0A last skirmish leads to the denouement — the defeat and withdrawal of the trumpet, and the restoration of peace.Encounters III was commissioned by Thomas Stevens and premiered in 1972.—William Kraft "Encounters III" is conceived of as a medieval battle; the trumpet represents the attacking force, the percussion the defending. There are three movements: I. "Strategy", II. "Truce of God", and III. "Tactics". Under one of the classical theories of warfare, strategy is considered the process of getting the enemy to come to battle, and tactics are the ways the battle is fought. The title "Truce of God" refers to a medieval convention of war wherein a truce, supervised by the Pope, was maintained from sundown Thursday to sunrise Monday. I. "Strategy": After the approaching force (trumpet) has established contact with the defender (percussion) the players-combatants launch into a series of twelve attacks and counter-attacks. Medieval soldiers were often fixed in a position behind their shields with their spears jammed into the ground to impale horses - or men. The percussion, as the defending force, thusly is given twelve counterattacks which correspond to twelve attacks of the trumpet. The trumpet has a choice in the order of attacks, and the percussionist must recognize the attack and give the corresponding counterattack. II. "Truce of God" is based on the Landini cadence (7-6-8), creation of the 14th-century composer Francesco Landini (1325-1397). In reference to the peaceful and holy aspets of the truce, the orchestration centers on bell sounds of many varieties - song bells, tuned gongs, vibraphone, Pyrenees cowbell and glockenspiel - while the trumpet suggests distant horns or bulges. III. "Tactics" is made of real skirmishes and battles calling for great virtuosity on the part of both soloists. The middle of the movement is occupied by two cadenzas, one for the trumpet and one for the percussion. A last skirmish leads to the denouement - the defeat and withdrawl of the trumpet, and the restoration of peace.