Exultate Justi

Description

Tenor, Baritone, Bass, Piano — Please use NOTES from SA(T)B BL1031 and replace the 2nd paragraph with the following:When a counterpoint section occurs, keep in mind that only one part can be dominant at a time.xa0 For example, at letter A, the basses have the lead.xa0 However, when the baritones enter two measures later, they will have the spotlight, and the basses must sing softer in order to let the baritones be heard.xa0 Two measures later, the basses and the baritones must both take a back seat when the focus shifts to the tenors.xa0 The important thing to remember about counterpoint is that the singers must learn the art of “taking turns” being dominant. Inspired by the classical style of music writing, Dan Davison has done a masterful job with this exciting work for tenor-bass voices. Accessible, exciting and joyful to sing, Exultate Justi will enhance the programming of any concert or festival. Also available for SA(T)B Voices (BL1031), SSA Voices (BL1057), and SA Voices (BL1239).

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